Nadine Whitney, Author at The Curb

In Fabric Review – A Reminder That Peter Strickland is Capable of Far Superior Work

March 19, 2020

Peter Strickland is a stylist who wears his influences on his exquisitely curse embroidered sleeve. Whilst his homages to the stylistic influences of Italian Giallo were successful in both Berberian Sound Stud...

St Maud Review – This Film Will haunt You Long After its Flames Have Extinguished

Nadine Whitney

March 14, 2020

Reviews

St Maud is a disturbing first feature by writer/director Rose Glass. In an effort that is nuanced, and intelligent Glass delivers a horror film that is both unsettlingly original yet also harkens to aesthetic ...

Undertow Review – An Extraordinary Film About the Complexities of Being a Woman in a Male-Dominated World

Nadine Whitney

March 7, 2020

Reviews

Undertow is an extraordinary piece of slice-of-life cinema that investigates the lengths people will go to deal with trauma and loss. Writer/Director Miranda Nation follows the lives of four people — the privi...

Emma. Review – A Sumptuous and Voluptuous Period Piece

Nadine Whitney

March 4, 2020

Reviews

Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very ...

The Leunig Fragments Review – An Elegy Stage Managed By Its Subject

Nadine Whitney

February 25, 2020

Reviews

Michael Leunig is one of 79 Australian National Living Treasures. There are certainly some august and worthy names on the list, like Barry Jones, Judy Davis, Julian Burnside, Evonne Goolagong Cawley, Garry McD...

Australian Sci-Fi Web Series 2121 to Launch on 19 April

The Ricci Revival – In Christina Ricci We Trust

WA Made Film Festival Rundown – A Celebration of the Strong WA Filmmaking Community

Ten Aussie Horror Films That’ll Leave You Frightened This Friday the Thirteenth

Perth’s Australian Revelations 2020 Season Launches with a Film That’s Out of This World

Emerging Perth Artist Sam Hopkins Awarded WA Sculptor Scholarship of $10,000 at Sculpture by the Sea, Cottesloe Opening

Top Five Movies That Will Make You Want to Start Cooking at Home

Vic Park Summer Street Party Program Announced

Piper Doon – the Scotsman is Nae More

Revelation Film Festival WA Film Callout

Mojo’s Bar is Closed but With Your Help They Can Reopen When the Time is Right

Five Streaming Services to Check Out in Quarantine

Steve Bisley Visits Perth for Charity and Acting Events

Cale Street Festival Program Announced

Red Billabong Review

Love Bug Review – Digital Romance in the Time of Corona

The Platform Review – The Best Heavy Metal Movie Ever Made

Onward Review – A Perfectly Mindless Fantasy for These Dangerous Days

In Fabric Review – A Reminder That Peter Strickland is Capable of Far Superior Work

Bloodshot Review – A Competently Made Slice of Blandness

The Set Review – Important, Invaluable, but Not Good

Waiting: The Van Duren Story Director Wade Jackson Interview

Welcome to Awards Don’t Matter!

Discussing Diversity With Annie Murtagh-Monks: The Heights, Casting, and the Global Financial Crisis

In My Blood It Runs Interview with Director Maya Newell

WhispersRed Gold Coast Film Festival Interview – Live-ASMR, Relaxation, Self-Discovery, and Awareness

An Interview With Henry Rollins: Politics. People. Travel.

Interview with The Leunig Fragments Director Kasimir Burgess – On Idols, Filmmaking, and Becoming Michael Leunig

In Fabric Review – A Reminder That Peter Strickland is Capable of Far Superior Work

St Maud Review – This Film Will haunt You Long After its Flames Have Extinguished

Undertow Review – An Extraordinary Film About the Complexities of Being a Woman in a Male-Dominated World

Emma. Review – A Sumptuous and Voluptuous Period Piece

The Leunig Fragments Review – An Elegy Stage Managed By Its Subject

Author Nadine Whitney