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    • Revelation Film Festival - 20 Years of Unique Films

      Andrew F Peirce
      July 1, 2017
      Culture
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    • Netflix Acquires Groundbreaking Western Australian Indigenous Documentary, Our Law

      Andrew F Peirce
      November 6, 2020

    • Celebrate World Wombat Day with new ‘Aussie-mation’ Combat Wombat

      Guest Writer
      October 22, 2020

    • Mace Francis Orchestra Celebrates 15 Years with a Big Band Show in Perth

      Guest Writer
      October 20, 2020

    • Aussie Comedy Hot Mess Picked up by Netflix

      Andrew F Peirce
      October 16, 2020

    • For the Sake of the Climate and Indigenous Culture: It’s Time for Australian Arts to Break Up with Mining

      Andrew F Peirce
      October 15, 2020

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      Andrew F Peirce
      October 7, 2020
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    • Thank You!

      Andrew F Peirce
      July 5, 2014
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    • The Witches Review – Horrid CGI Can’t Cover Up Awful Anne Hathaway Performance

      Scot F
      November 4, 2020

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      Guest Writer
      September 28, 2020

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      Guest Writer
      June 8, 2020

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      Andrew F Peirce
      May 4, 2020

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      Travis Johnson
      April 6, 2020

    • Revelation Film Festival WA Film Callout

      Guest Writer
      April 3, 2020
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      The Good Dinosaur Review

      Andrew F Peirce
      January 2, 2016
      Reviews
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    • She Dies Tomorrow Review – A Powerful and Unshakeable Slice of Horror Cinema

      Andrew F Peirce
      November 6, 2020

    • The Naked Farmer by Ben Brooksby Book Review – When it Comes to Mental Health, We Are All in This Together

      Andrew F Peirce
      November 6, 2020

    • 64th BFI London Film Festival – Day Ten: New Order, Small Axe, Ammonite

      Liam Dunn
      November 4, 2020

    • 64th BFI London Film Festival Diary – Day Nine: Possessor Review

      Liam Dunn
      November 2, 2020

    • 64th BFI London Film Festival Diary – Day Eight: African Apocalypse, Ultraviolence Reviews

      Liam Dunn
      October 20, 2020

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      Liam Dunn
      October 20, 2020
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    • Aussie Icon Briggs Chats About Making Music in Australia

      Andrew F Peirce
      May 19, 2019
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    • International Podcast Day 2020: It’s All About Filmmaking!

      Andrew F Peirce
      September 30, 2020

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      Andrew F Peirce
      September 2, 2020

    • The Pact Director Peter Blackburn on Theatre, Creativity in Lockdown, and Support

      Nadine Whitney
      August 28, 2020

    • A Chat with Nathan Phillips – Blood Vessel, Acting in Australia, and Living with Yowies

      Andrew F Peirce
      August 24, 2020

    • The Pact: Closer Than You Think – Rose Flanagan Talks About the Phoenix-Like Webseries in the Midst of Covid

      Nadine Whitney
      August 19, 2020

    • The Plastic House: Allison Chhorn’s Documentary is a Simple, Beautiful, Effective Ode to Change

      Travis Akbar
      August 11, 2020
Latest
  • She Dies Tomorrow Review - A Powerful and Unshakeable Slice of Horror Cinema
  • The Naked Farmer by Ben Brooksby Book Review - When it Comes to Mental Health, We Are All in This Together
  • Netflix Acquires Groundbreaking Western Australian Indigenous Documentary, Our Law
  • The Witches Review - Horrid CGI Can't Cover Up Awful Anne Hathaway Performance
  • 64th BFI London Film Festival - Day Ten: New Order, Small Axe, Ammonite

Author Nadine Whitney

Nadine Whitney

Nadine Whitney

Nadine Hasselt Whitney holds qualifications in cinema, literature, cultural studies, education and design. When not writing about film, art or books, she can be found napping and missing her cat.

Sequin in a Blue Room Review – A Stimulating Tale of Finding Yourself in the Digital Age

Nadine Whitney
August 28, 2020
Reviews
The first feature film from director Samuel Van Grinsven pulls no punches in identifying that it is a homosexual film. The title card claims the film’s orientation and doesn’t wait for the audience to graduall...

The Pact Director Peter Blackburn on Theatre, Creativity in Lockdown, and Support

Nadine Whitney
August 28, 2020
Banter
Accomplished Melbourne stage director Peter Blackburn has worked on some of the best loved plays in contemporary Australian theatre. When Melbourne went into lockdown he didn’t let the lack of a live audience ...

La Llorona Review – A Subtle and Persuasive Horror Masterpiece

Nadine Whitney
August 22, 2020
Reviews
Jayro Bustamante’s new slow burn horror film La Llorona is less interested in what most would call traditional horror and more concerned with a political spectre that hangs over the country of Guatemala with i...

The Pact: Closer Than You Think – Rose Flanagan Talks About the Phoenix-Like Webseries in the Midst of Covid

Nadine Whitney
August 19, 2020
Banter, Reviews
As Melbourne streets empty and the city shuts down, so too many of the creative industries that have given Melbourne the enviable title of Australia’s foremost City of the Arts. COVID-19 has pushed creatives t...

Shirley Review – A Film Made of Tremendously Seductive Dreams and Nightmares

Nadine Whitney
July 9, 2020
Reviews
Powered by JustWatch With Shirley, director Josephine Decker has created a film that is not in any way a literal or traditional biographic rendering of the novelist Shirley Jackson....

D’Art Review – Just Like the Goggomobil Dart: Something Quite Surprising and Joy Filled

Nadine Whitney
July 1, 2020
Reviews
What can an audience expect from a documentary about an art project that began with two old mates, one a painter and the other an eccentric collector, discussing what it would be like to paint a rare car in a ...

Forman vs. Forman Review – A Fascinating Excursion Through the Life and Mind of One of the Great Filmmakers

Nadine Whitney
July 1, 2020
Reviews
With the documentary Forman vs. Forman, writer and director Helena Treštikova has created an intimate and philosophical portrait of the multi award winning Czech/American director Milos Forman. Building layer ...

Leaving Allen Street Review – A Wonderful Piece About the Joy of Coming Together

Nadine Whitney
June 28, 2020
Reviews
Depictions of people with disabilities in films are often troubled with a predilection for filmmakers to craft their stories in a manner that will result in their stories serving as what is known as inspiratio...

The Assistant Review – A Quiet Film With a Loud Premise

Nadine Whitney
June 8, 2020
Reviews
Director and screenwriter Kitty Green’s first foray into the world of fictional filmmaking, The Assistant, is a quiet film with a loud premise about the culture that creates a hostile environment for women wor...

Come to Daddy Review – What the F**k Did I Just Watch?

Nadine Whitney
June 5, 2020
Reviews
This review contains spoilers. Every first sentence I’ve tried to write for this review I have ended up deleting in frustration. I don’t know where to begin with New Zealander Ant Timpson’s first full lengt...
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