Film and culture. Not content.
In director Tribeny Rai’s Chhora Jastai (Shape of Momo, 2025), one of the most assured debut features to come out of India recently, the coming-of-age story meets the sensibilities of autofiction and the personal becomes universal.…
Neeraj Ghaywan’s Homebound (2025) is a reminder that ‘home’ in India is not always a place of refuge—it can be a site of exclusion and humiliation. The title plays on an uncomfortable duality: to be h…
As I wait for my interview with filmmaker Payal Kapadia to commence, I hear the clouds cackle. And right on cue, on a warm summer evening in Sydney, it begins to rain. I smile, thinking that perhaps t…
One of the first things that strikes you when you land in Delhi is that vanar and Hanuman-inspired imagery—drawing from Hindu mythology and texts such as the Ramayana—is everywhere. If you’re catching…