Film and culture. Not content.
3 posts
It could be argued The French Dispatch, Wes Anderson’s metatextual cinema amour to The New Yorker was perhaps the pinnacle of the Texan director’s affair with art and authorship. Where was the fantast…
On day two of LFF its Wes Anderson’s latest bit of fluff The French Dispatch, Ana-Lily Amirpour’s anarchic sci-fi banger Mona Lisa and the Blood Moon and Rebecca Hall’s astonishing directorial debut P…
In the continuing battle between streaming services and cinemas, there's one director who has continually pushed out films that have demanded a cinema viewing: Wes Anderson. From his auspicious d…