1945 Academy Award Best Picture Winner: The Lost Weekend (Billy Wilder) – Awards Don’t Matter

Andrew F Peirce 1 min read
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The Lost Weekend is Billy Wilder’s first Best Picture winning film, and first time winning Best Director as well. For a director that many may know as a comedy-focused great, this journey into the darkness of alcohol addiction is bleak, powerful, and ultimately a very sobering affair.

With a searing Best Actor award winning performance from Ray Milland, and a comforting supporting turn from the ever-reliable Jane Wyman, The Lost Weekend stands as a Best Picture winner that has fallen out of conversation but deserves reappraisal. On Awards Don’t Matter, co-hosts Dave and Andrew discuss this noir-tinged drama at length, touching on some very sensitive and possibly triggering subjects.

Ultimately, this leads them to the enduring question: does The Lost Weekend still matter?

Clips in this episode: The Lost Weekend trailer // Benefits of Drinking clip

Watch the next film we’re discussing, Spellbound, below:

Follow the hosts on social media at the links below:

See also

Andrew F Peirce – @TheCurbAU
David Giannini – @Darnthatdave
Awards Don’t Matter – @AwardsDontPod

Katherine Grace on Working with Friend Holly Dodd on the Horror Short Alison & Betty – The Curb

There's something in the water in Perth that leads to a creative movement from local filmmakers who push through microbudget limitations to tell engaging and inventive stories on screen. For emerging filmmakers Katherine Grace and Holly Dodd, that drive for creativity comes in the form of working together as actors and directors on a duo of short films. For Holly, it's the short horror Consumed, a story of a young woman who suffers from sleep paralysis, while for Katherine, her short film Alison & Betty sees one friend be haunted by the presence of her distant friend Betty.As Katherine details in the following interview, working together on each others films has helped create a body of work that has been able to showcase their combined and singular talents. There's a charm and devilishness to Alison & Betty that leans into a 1950s housewife modality, flipping it on its head with an off kilter kookiness that sees Katherine and Holly bounce off each other with ease. Alison & Betty shows a talent on the rise that has me excited to see where both Katherine and Holly progress as filmmakers.To follow Katherine's work, make sure to follow her Instagram page @justamissgrace, or visit her YouTube page for more details, and Holly's Instagram page @hollyedodd to keep track of her projects. Thank you for listening to this episode of The Curb podcast. To help keep the Curb independent, visit patreon.com/thecurbau to show your support from as little as $1 a month. Hosted on Acast. See acast.com/privacy for more information.
  1. Katherine Grace on Working with Friend Holly Dodd on the Horror Short Alison & Betty
  2. The Road to Patagonia Director Matty Hannon Talks About Living with the Land in This Interview
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  4. Daniel Monks Talks Through His Career From Pulse to In the Room Where He Waits in This Interview
  5. Carl Joseph Papa Talks About How Richard Linklater Influenced His Rotoscoped Animation The Missing in This Interview
Andrew F Peirce

Andrew is passionate about Australian cinema, Australian politics, Australian culture, and Australia in general. Found regularly talking online about Sweet Country, and reminding people to watch Young Adult.

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