Sugar (C)rush: Natalie Erika James on agony and ecstasy in Saccharine
I hope Saccharine prompts people to really interrogate that for themselves and how they relate to culture, that diet culture within their own bodies.…
Star Wars returns to the big-screen with The Mandalorian and Grogu, an exercise in galactic-scale entropy
The Mandalorian and Grogu makes the biggest cardinal sin of all: scamming its viewership into believing they are making entertainment when these parts of Star Wars are nothing more than a piece of capital, packaged and designed to make more toys, plushies, and general merchandise.…
Agnieszka Holland on her search for Franz Kafka
Franz: Becoming Kafka drops breadcrumbs for the audience to follow to go on their own search for an author who shapeshifts in our understanding; and in adopting that openness and style, Holland has made a stunning literary biographical work.…
A Private Life is a delicate Parisian mystery that’s kind on the heart
In the cosiness of Paris in winter, red wine dinners, and old lovers in new trysts, it seems the pleasure of A Private Life is in the fantasy of bourgeois misadventures.…
Visconti’s lonely dreamers in Le Notti Bianche featured at Cinema Reborn
Le Notti Bianche is a stunningly beautiful story of yearning and loving beyond what outsiders would deem reasonable.…
Mother Mary is an immersive and fascinating art haunting
Mother Mary is depending on metaphors to express how an essential creative act and bond can never be fully explained, nor can it be completely abandoned.…
Obsession is violent, perverse, and entertaining in its absolute nastiness
Barker’s film is uncomfortably funny and filled with left-field set pieces that will have the audience gasping.…
The Devil Wears Prada 2 is a comfy sequel
If you’re happy to just exist in the world of the characters then The Devil Wears Prada 2 is going to fit perfectly. If you’d like something “groundbreaking” the film isn’t it. Ironically, it’s more comfy sweats than haute couture.…
First Contact: Rape, Retribution and Colonial Logic in Satyajit Ray's Days and Nights in the Forest
It may present itself as a gentle comedy of manners, but Days and Nights in the Forest is a deeply confronting film once you peel the layers.…
Salt Along the Tongue is a heady and mysterious Australian Euro folk horror
Parish Malfitano’s horror/melodrama Salt Along the Tongue is made in Australia but its bones are European. Specifically, the bones are primarily Italian, but Malfitano extends the film to the many nat…
Hokum announces Damian McCarthy as a major creative voice and a horror maestro
Hokum /ˈhoʊkəm/ noun. [noncount] informal Chiefly US: foolish or untrue words or ideas. Nonsense. Irish director Damian McCarthy has been refining his craft over his three features. Caveat and Oddi…
Rabbit Trap is narratively uneven but atmospherically effective | Fantastic Film Festival Australia
“Call my name and I’ll come home.” Bryn Chainey’s faerie folk-horror Rabbit Trap is narratively uneven but atmospherically effective. Set in 1973 in Cymru (Wales) a married couple have moved from Lon…