Film and culture. Not content.
Welcome to the fifth instalment of the Noughts Report. Each entry revisits a year in film from the 2000s, highlighting movies big and small and the careers and genres and trends that ignited or flamed…
There's something in the water in Adelaide that's forcing a major change within the Australian film industry. The Adelaide Film Festival exists and has continued their great financial support…
So much of the discussion about cinema viewing this year has been about what cameras Christopher Nolan shot The Odyssey on. As someone who engages in film discussion as part of running this website, i…
The Squirrel is one of those movies that completely won me over in ways I wasn’t expecting. Going in, all I really knew was that there was a squirrel, it wasn’t a horror movie, and I was probably goin…
There’s something about a good Halloween movie that doesn’t necessarily need to reinvent the genre. Sometimes all I want is witches, creepy houses, kids running for their lives, a little blood, and en…
“When you are on the phone or on the air, you have no body” Marshall McLuhan I suspect that if he’d lived to see it, McLuhan might’ve expanded that sentiment to include ‘online’. Online, we are tr…
With striking imagery, a functional-enough story, and an award worthy performance from Uber the dog, it might just be David Ayer’s most inoffensive and emotionally arresting film.…
Madison Dell'Aquila is, as her website proudly states, "constantly looking forward to challenging what people say can't be done." That mindset is strongly applied with the new platfo…
Koberidze creates a conversation with all of the shifting moments of reality that exist for the individual and then become irrevocably “something else” when they form symbolic vestiges.…
Keisha Slocomb is an emerging filmmaker who is looking to leave a mark on the world by utilising grounded performances alongside compelling visual storytelling. As a writer-director, Keisha is already…
Welcome to the fourth instalment of the Noughts Report. Each entry revisits a year in film from the 2000s, highlighting movies big and small and the careers and genres and trends that ignited or flame…
Téa Mancini (she/her) is a multi-hyphenate creative whose filmic body of work is growing in the realm of the art department and wardrobe, specialising in production design, while also building up a fi…