Two Heads Creek Archives

Two Heads Creek Review – Classist Ocker Comedy Fails to Impress

January 6, 2020

There’s a style of comedy fairly common in Australian culture that really gets my back up, and it’s classist ocker comedy. You know the type: take a small Australian community – generally rural but occasio...

Andrew’s Top Films of 2019

Andrew F Peirce

December 27, 2019

Culture

The year of 2019 contained some of the best films in years, with more than a handful fo these being some of the best of the decade. Because I’m based in Australia, some of these films may have been released el...

Standing Up for Hilarity – The Year Aussie Comedy Made a Comeback

Andrew F Peirce

December 19, 2019

Culture

After I completed my Best Australian Films of 2019 list, I took a look over the entries and was surprised at the overwhelming presence of a certain genre among the titles. No, not documentaries or dramas, but ...

Best Australian Films of 2019

Andrew F Peirce

December 3, 2019

Culture

As 2019 comes to an end, we take a look back at the year of Australian films that we’ve just had. Now, I’m going to admit, this list might be a little more controversial than some of my previous Best Australia...

Australian Revelations November Screening - The Interview

Celebrate World Wombat Day with new ‘Aussie-mation’ Combat Wombat

Mace Francis Orchestra Celebrates 15 Years with a Big Band Show in Perth

Aussie Comedy Hot Mess Picked up by Netflix

For the Sake of the Climate and Indigenous Culture: It’s Time for Australian Arts to Break Up with Mining

What’s Going on with the AACTA’s: Are Australia’s Academy Awards OK?

A Preview of the 64th BFI London Film Festival: Steve McQueen, Frances McDormand, and a Bit of Talking Heads

Australian Cinema in ISO Zoom Panel

Grassroots Initiative to Tackle Loneliness and Help Local Businesses this Victorian Christmas

International Art Exhibition Come Silent Auction Gives Light to Refugees Affected by COVID-19

Piper Doon – the Scotsman is Nae More

Revelation Film Festival WA Film Callout

Mojo’s Bar is Closed but With Your Help They Can Reopen When the Time is Right

Five Streaming Services to Check Out in Quarantine

The School Review

64th BFI London Film Festival Diary – Day Eight: African Apocalypse, Ultraviolence Reviews

64th BFI London Film Festival Diary – Day Seven: American Utopia, Delia Derbyshire: The Myths and Legendary Tapes Reviews

64th BFI London Film Festival Diary – Day Six: Another Round, Notturno

64th BFI London Film Festival Diary – Day Five: One Night in Miami, The Intruder Reviews

64th BFI London Film Festival Diary – Day Four: Wolfwalkers, Wildfire Reviews

64th BFI London Film Festival Diary – Day Three: Never Gonna Snow Again, Undine Reviews

Eight Questions With Suzi Q Director Liam Firmager - Idols, Rock Goddesses, and Aussies Telling American Stories

International Podcast Day 2020: It’s All About Filmmaking!

Roger Ward Interview – Aussie Film Icon from Turkey Shoot, The Faceless Man, Mad Max and More

The Pact Director Peter Blackburn on Theatre, Creativity in Lockdown, and Support

A Chat with Nathan Phillips – Blood Vessel, Acting in Australia, and Living with Yowies

The Pact: Closer Than You Think – Rose Flanagan Talks About the Phoenix-Like Webseries in the Midst of Covid

The Plastic House: Allison Chhorn’s Documentary is a Simple, Beautiful, Effective Ode to Change

Two Heads Creek Review – Classist Ocker Comedy Fails to Impress

Andrew’s Top Films of 2019

Standing Up for Hilarity – The Year Aussie Comedy Made a Comeback

Best Australian Films of 2019

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