Film and culture. Not content.
8 posts
In director Tribeny Rai’s Chhora Jastai (Shape of Momo, 2025), one of the most assured debut features to come out of India recently, the coming-of-age story meets the sensibilities of autofiction and the personal becomes universal.…
Neeraj Ghaywan’s Homebound (2025) is a reminder that ‘home’ in India is not always a place of refuge—it can be a site of exclusion and humiliation. The title plays on an uncomfortable duality: to be h…
As I wait for my interview with filmmaker Payal Kapadia to commence, I hear the clouds cackle. And right on cue, on a warm summer evening in Sydney, it begins to rain. I smile, thinking that perhaps t…
One of the first things that strikes you when you land in Delhi is that vanar and Hanuman-inspired imagery—drawing from Hindu mythology and texts such as the Ramayana—is everywhere. If you’re catching…
PRESS RELEASE In its 14th year the Indian Film Festival Of Melbourne (IFFM) is set for another bumper year, as the largest festival of its kind in the southern hemisphere, returning to venues all acr…
Since its 2010 inception, the Indian Film Festival of Melbourne has become the biggest celebration of Indian cinema outside the motherland. This year's program showcases the film 83 about the jour…
Available to Watch Here: Powered by JustWatch Help keep The Curb independent by joining our Patreon. It’s not difficult to see Dasvi, the latest Maddock Films production, as a response to t…
Powered by JustWatch Help keep The Curb independent by joining our Patreon. There's a basic structure to the mainstream Bollywood film: the first hour is all fun and lighthearted sillines…