On the fourth day of LFF is Palme d’Or winning Titane, and two films exploring the tragedy of mass shootings... Read More
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JoinedMarch 14, 2020
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Liam Dunn is an Australian writer living in London since 2013 where he has written film criticism for many different British outlets, including Little White Lies. Liam loves all kinds of cinema, particularly world cinema, but it is with horror, sci-fi and Westerns where you can find his heart. He reckons Werner Herzog is the world’s greatest living filmmaker and will fight anyone who says otherwise.
On day two of LFF its Wes Anderson’s latest bit of fluff The French Dispatch, Ana-Lily Amirpour’s anarchic sci-fi banger... Read More
64th BFI London Film Festival Diary – Day Nine: It is day nine and I take a look at Brandon... Read More
Day eight finds two documentaries made in 2020 exploring the spectre of colonialism and the far-reaching consequences still felt in... Read More
It is day six and Mads Mikkelsen drinks himself into a stupor but, you know, for science, in Another Round,... Read More
LFF day three and Mark Cousins takes a look at the 21st Century filmmakers pushing the artform to new limits... Read More
Powered by JustWatch Help keep The Curb independent by joining our Patreon. It is the first day of LFF and... Read More
The final day at LFF2020 brings the Silver Lion award-winning New Order, another instalment of Steve McQueen’s Small Axe film... Read More
On the seventh day LFF offers up two very different music documentaries that perfectly capture their subjects’ personas. Spike Lee... Read More
On day five I look at two wildly different films: Oscar-winning actor Regina King’s directorial debut One Night in Miami... Read More