64th BFI London Film Festival Diary – Day Nine: It is day nine and I take a look at Brandon... Read More
JoinedMarch 14, 2020
Articles12
Liam Dunn is an Australian writer living in London since 2013 where he has written film criticism for many different British outlets, including Little White Lies. Liam loves all kinds of cinema, particularly world cinema, but it is with horror, sci-fi and Westerns where you can find his heart. He reckons Werner Herzog is the world’s greatest living filmmaker and will fight anyone who says otherwise.
Day eight finds two documentaries made in 2020 exploring the spectre of colonialism and the far-reaching consequences still felt in... Read More
It is day six and Mads Mikkelsen drinks himself into a stupor but, you know, for science, in Another Round,... Read More
It is a double-feature from Ireland on day four, with the latest animation from Cartoon Saloon, Wolfwalkers and pre-Brexit border... Read More
Today I look at Miranda July’s quirky comedy Kajillionaire, Abel Ferrara’s existential journey into Siberia and India’s Venice award-winning The... Read More
The final day at LFF2020 brings the Silver Lion award-winning New Order, another instalment of Steve McQueen’s Small Axe film... Read More
On the seventh day LFF offers up two very different music documentaries that perfectly capture their subjects’ personas. Spike Lee... Read More
On day five I look at two wildly different films: Oscar-winning actor Regina King’s directorial debut One Night in Miami... Read More
Day three and it is Polish dramedy Never Gonna Snow Again and Christian Petzold’s Undine, two films that aim for... Read More
It is the first day of LFF and I take a look at Steve McQueen’s Mangrove, rural-set Australian horror Relic,... Read More