Speak No Evil is an Invitation Best Refused
There is a danger inherent in remaking any film. Comparisons to the original are destined to be considered especially if the movie is not an adaptation of a literary source. James Watkins under the Bl…
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There is a danger inherent in remaking any film. Comparisons to the original are destined to be considered especially if the movie is not an adaptation of a literary source. James Watkins under the Bl…
“What would Tom Cruise do?” That is the question ninety-three-year-old Thelma Post (June Squibb) asks herself when she falls victim to a phone phishing scam. Thelma’s day-to-day routine post her rela…
Cottontail begins in motion, springing onto the screen almost as if by accident. Only a captive octopus and an establishing shot of a Tokyo residential block punctuate this string of opening frames sh…
“Every word of Irish spoken is a bullet fired for freedom.” Fuck up it is! Rich Peppiatt’s hyper-kinetic Kneecap is A Hard Day’s Night for the North of Ireland and the hip hop generation. A little bi…
Martin Scorsese, like Michael Powell and Emeric Pressburger, has never made a sequel to any of his films. Made in England: The Films of Powell and Pressburger comes close, however, as it fits into a s…
They can’t hurt you if you don’t think about them. Jane Schoenbrun is interested in the power of screens. Their debut featureWe’re All Going to the World’s Fair is a coming-of-age narrative where iso…
The screen's soaked with beer, the whole place shakes when the tubes run, the sound system's crap...but, we love it! - Mark Moore Scala!!! Or, the Incredibly Strange Rise and Fall of the Worl…
Ant Timpson’s blooming lovely Bookworm converts the most cynical of hearts and makes them believe in magic. A rare film that speaks to kids and adults with sincerity and without condescension. Idiosy…
Directed by Michael Dweck and Gregory Kershaw (The Truffle Hunters), Gaucho Gaucho concerns a specific type of “cowboy” from South America; skilled, brave, and unruly horsemen. Legends of local folklo…
Dory Previn: On My Way to Where, directed by Julia Greenberg and Dianna Dilworth, is exactly the kind of well-balanced documentary mixed of archival and modern interviews that successfully inducts you…
Twilight Time is directed by John Hughes (After Mabo, Senses of Cinema) and examines the role that Desmond Ball, Australian writer and activist, had in protesting direct American influence over Austra…
Philipp Fussenegger and Judy Landkammer’s documentary Teaches of Peaches is conventional to the point of being near antithetical to the artist at its centre. Merrill Nisker, known around the world as…