Richard Linklater and Glen Powell’s Hit Man is witty, sexy, and side-splittingly funny. Although it must be said that the...
JoinedFebruary 25, 2020
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Nadine Whitney holds qualifications in cinema, literature, cultural studies, education and design. When not writing about film, art or books, she can be found napping and missing her cat.
I genuinely don’t like to call “Australian shot feature film of the year” in June – but after seeing David...
Director Sara Margrethe Oskal’s Eallogierdu (The Tundra Within Me) is a tale of two worlds. Single mother and artist, Lena...
In Hanna Slak’s Not a Word (Kein Wort), Lars Goff (Jona Levin Nicolai) and his conductor mother Nina Palcek (Maren...
Indie horror adjacent comedy The Civil Dead is a testament to how effective low-budget filmmaking can be. The creators go...
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Director and writer Amanda Kramer (Ladyworld, Give Me Pity!, Please Baby Please) moves into the realm of cinema essay with...
“If you really thought of me as your Auntie, you wouldn’t ask that.” For thirty years Pat and Angie have...
Although discrete films, Martin Bourboulon’s Musketeer series is an epic which can be considered a single entity. Beginning with D’Artagnan...
Oleg: The Oleg Vidov Story is an award-winning documentary about a Russian superstar actor – The ‘Russian Robert Redford’ –...