Brandon Cronenberg Dives Into the Infinity Pool
With his latest release Infinity Pool Brandon Cronenberg cements his place in that pantheon of cinematic extremism that questions what it is to be human and what humanity is capable of. Nadine Whitney…
Nadine Whitney is a Rotten Tomatoes accredited critic, the co-chair of the Australian Film Critics Association, a Golden Globes voter, a member of OFCS, GALECA, AWFJ, and an occasional festival judge. She often wishes she was a spoiled cat.
With his latest release Infinity Pool Brandon Cronenberg cements his place in that pantheon of cinematic extremism that questions what it is to be human and what humanity is capable of. Nadine Whitney…
This review contains mild spoilers. It’s been a long and winding road to come to the end of the story of James Gunn’s rag-tag group of miscreants turned heroes. Audiences will no doubt not need a rec…
Mike Hodges only made nine features yet is revered as an essential British filmmaker. Although he dabbled in other genres (for example pulp sci-fi with Flash Gordon, horror in his uncredited Omen II,…
Queer filmmaker Elegance Bratton utilises biographical elements in his film The Inspection. Where the line between fact and fiction blurs is something Bratton mostly leaves up to the audience; but wha…
Egypt’s recent history is one of revolution, counter-revolution, and state and religious oppression. Censorship means that films about contemporary Egypt are never to be negative of critical of the cu…
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There is no doubting that the titular Beau (Joaquin Phoenix) is most certainly afraid in Ari Aster’s dark absurdist comedy Beau is Afraid. Beau has every reason to be afraid in Aster’s mashup of The B…
Catherine Hardwicke’s career as a director is hard to pin down. Her brilliant first film Thirteen (2003) co-written by Nikki Reed was a blistering investigation into disenfranchised teenagers. Her fol…
In 2004 Zach Braff pivoted from acting into writing and directing with his debut feature Garden State. The film utilised the best of Braff’s skills as an actor and won an Independent Spirit Award in 2…
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When Margaret Atwood wrote her feminist genre fable ‘The Handmaid’s Tale’ in the mid 1980s she was using precedent that would become prescience. It is the paradigm of persistent cruelty in culture tha…