December Newsletter - An End of Year Thanks to All
As the year wraps up I want to thank everyone for their support. It's been another busy month on The Curb. We'll hit over 1000 likes on Facebook before the end of the year; we've just had…
As the year wraps up I want to thank everyone for their support. It's been another busy month on The Curb. We'll hit over 1000 likes on Facebook before the end of the year; we've just had…
#SaveRadioADL - Radio Adelaide Needs You! In 1972, Adelaide University started Australia’s first community radio station; 5UV, now known as Radio Adelaide. The signal reaches all over metropolitan Ad…
As 2019 comes to an end, we take a look back at the year of Australian films that we’ve just had. Now, I’m going to admit, this list might be a little more controversial than some of my previous Best…
Australian cinema isn’t known for franchises. Sure, there’s been Crocodile Dundee and the Mad Max films, but that’s about it. Which is part of the reason why the Red Dog film is such an odd film to ha…
Director Liam Firmager has created multiple documentaries about various fascinating subjects, from the Peter Brock bio Brock: King of the Mountain, to the look at one hit sensation Ricky T with Ricky!…
Reminding Rian Johnson about his work on Star Warsis probably the last thing he wants to hear before releasing a new film. To Johnson’s dismay, his polarising work with Star Wars: The Last Jedi will…
Andrew caught up with multi-hyphenate writer-director-actor Steve Vidler to talk about his new comedy Standing Up for Sunny. This is a treat of a film, genuinely hilarious and superbly acted. Stand…
Andrew caught up with director Selina Miles to talk about her excellent documentary, Martha: A Picture Story, which is all about the life and career of photojournalist Martha Cooper. It's an excel…
Written and directed by Rian Johnson, Knives Out stars Daniel Craig as Benoit Blanc, the “last of the gentleman sleuths”, hired to solve the apparent mystery around the death of famous mystery writer…
Few directors have taken such monumental shifts in style and tone, quite like Bill Condon. The director started in the realm of horror with the likes of Candyman: Farewell to the Flesh (1995), then f…
I don’t want to tell you about Portrait of a Lady on Fire. I don’t want to discuss its moments of beauty. I don’t want to expose what feels like a secret, the love that exists between two people. I do…
In the continuing battle between streaming services and cinemas, there's one director who has continually pushed out films that have demanded a cinema viewing: Wes Anderson. From his auspicious d…