Film and culture. Not content.
The one thing coming out of Suicide Squad back in 2016 that was receiving near-unanimous praise was Margot Robbie’s performance as Harley Quinn, it also being the beloved comic-book character’s first…
Disturbing new information about the life of controversial Perth liver transplant recipient Claire Murray has been exposed nearly a decade after her tragic death. The documentary-drama Wild Butterfly…
In Richard Jewell, Clint Eastwood gives us yet another instalment in his mini-series of films about heroic individuals who defy the odds, resist the bureaucracy, and fight against government scrutiny…
After seeing Sonic the Hedgehog, I am convinced that Pokémon Detective Pikachu was a fluke being the only decent video-game movie that isn’t a cynical cash-grab with a famous video game character slap…
Honey Boy is Shia LaBeouf’s self-portrait of processing the lifelong resentment and rage of his childhood. It’s a tender film reflecting on growing up with a parent who never treated you how a parent…
Editors Note: This review was written prior to the controversy surrounding Jason Lei Howden's abhorrent and caustic behaviour on Twitter. We at The Curb do not condone his actions, but have chose…
Disclaimer: Sadly, I haven’t had the time to publish this interview which has been sitting in my inbox for a couple of weeks now. If I had, you would have read it before Trump’s failed impeachment, an…
I awake at 6am and lay in bed waiting for the moment where my body will drag me out of bed and to the kitchen to prepare a coffee. My dogs’ batteries have sufficiently recharged overnight and my movin…
Happy Sad Man returns to Byron Bay! Screening this time at Byron Surf Fest this Saturday, February 15. Join us at the Byron Bay Brewery at 1.30pm. Highly recommend booking tickets in advance here for…
After successful runs at festivals around the world, the celebrated documentary In My Blood it Runs is gearing up for a national release in Australia, with some exciting Q&A events taking place.…
There have been precious few ‘found footage’ films in Australia’s filmography. The Tunnel and The Magician come to mind. They exist, but oddly (given the micro-budget nature of the format), we are yet…
Adapting a play from stage to screen is always a difficult proposition, if for no other reason than the question why. Why translate this from stage to screen? What makes this cinematic? Will it be so…