LGBTIQ Archives | The Curb

Without a Tracey World Premiere at Mardi Gras Film Festival

January 9, 2020

It was only just the other day when I was talking about the changes in the Australian film and TV landscape, with short films and webseries flourishing. The shorter formats have allowed for some fascinating an...

Send a Book to Brazil and Help Support LGBTIQ+ Communities

Andrew F Peirce

November 21, 2019

Unity

As part of my personal newsletter subscriptions, I received a whole bunch of different notifications that I often think 'I should really share that to amplify that message more'. Well, this recent email is one...

Eight Questions for Suburban Wildlife Filmmakers Imogen McCluskey and Béatrice Barbeau-Scurla

Andrew F Peirce

October 2, 2019

Banter

When I watched Suburban Wildlife, about half an hour into it I knew that this was exactly my kind of film. It's a wonderfully written, intimately directed, and superbly acted film that exists thanks to a minus...

The Coming Back Out Ball Movie Director Sue Thomson Interview – The Last New Wave

Andrew F Peirce

December 16, 2018

Banter

On this episode, Andrew interviews the director of the documentary The Coming Back Out Ball Movie, Sue Thomson. Support The Curb on Patreon. Facebook: https://www.facebo...

4

Boy Erased Review

Andrew F Peirce

November 8, 2018

Reviews

Watching Boy Erased in Australia is a curious affair. It’s written and directed by one of the great modern Aussie minds – Joel Edgerton (working with the production company he started with his brother, Nash, a...

Australia’s First LGBTIQ Film to Be Released by Bounty Films

Andrew F Peirce

December 11, 2017

Culture

This right here is exciting news. Bounty Films - the Australian company who has released a wide array of LGBTIQ films, amongst many other lesser known flicks - are staking helping bring history back to life wit...

Umbrella Entertainment December 2017 Releases

Hot Mess Coming To Cinemas And Digital Platforms

Cale Street Festival Returns in February

Without a Tracey World Premiere at Mardi Gras Film Festival

Best Film Posters of 2019

2020: The Future of Australian Arts Needs Your Help Right Now

Andrew’s Top Films of 2019

August's Australian Revelations Screening is Watch the Sunset

Joaquin Phoenix Needs to Make His Oscar Glory a Climate Emergency Moment

The Fires of Australia: The Importance of Being a Public Servant

Cultural and Gender Diverse Film ‘Streets of Colour’ Seeks Crowdfunding Support

December Newsletter – An End of Year Thanks to All

#SaveRadioADL – Radio Adelaide Needs Your Help!

Arts Community Still Blue For Manus And Nauru

The Mermaid Review

Just Mercy Review – Confronting, Puts an Unexpected Emotional Weight on Your Shoulders

A Beautiful Day in the Neighborhood Review – Nice Guys Finish First in this Sorta-Biopic of Mister Rogers

Jojo Rabbit Review – A Deep, Satirical Conversation About the Effects of Fascism

True History of the Kelly Gang Review – The War Between Ned Kelly the Man and Ned Kelly the Idea Writ Large

Underwater Review – K-Stew’s Heavy Breathing Cannot Salvage this Empty Vessel

Hour Of Power – With Katie Lees And Grace Rouvray Review

H is for Happiness Interview with Director John Sheedy and Star Daisy Axon

Hour of Power Comedians Katie Lees and Grace Rouvray Interview

Interview with Me and My Left Brain Writer/Director/Actor Alex Lykos

Interview with H is for Happiness Writer Lisa Hoppe

Interview with KGB Actor Bjorn Stewart

Koko: A Red Dog Story Interview with Directors Aaron McCann and Dominic Pearce

Standing Up for Sunny Interviews – RJ Mitte & Philippa Northeast

Without a Tracey World Premiere at Mardi Gras Film Festival

Send a Book to Brazil and Help Support LGBTIQ+ Communities

Eight Questions for Suburban Wildlife Filmmakers Imogen McCluskey and Béatrice Barbeau-Scurla

The Coming Back Out Ball Movie Director Sue Thomson Interview – The Last New Wave

Boy Erased Review

Australia’s First LGBTIQ Film to Be Released by Bounty Films

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