Destroyer Review
Destroyer is a punch in the gut, every day, for decades. It’s a bruise conjuring force of anguish and aggression that works like a soldering iron on an open wound, cauterising trauma that will never h…
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Destroyer is a punch in the gut, every day, for decades. It’s a bruise conjuring force of anguish and aggression that works like a soldering iron on an open wound, cauterising trauma that will never h…
For the dog lovers out there, we’re used to watching films where dogs are part of the main plot, and inevitably, one of the dogs dies to create some kind of empathetic moment. Fortunately, with Matteo…
I’ve had this review sitting at the top of my ‘to do’ list for a good two weeks now. Yet, whenever I sat down to write, it slipped my mind. I simply forgot that it needed to be done. Which is a mighty…
Bored. That’s what I was feeling roughly half-way through Next of Kin. But, as it wore on, it surprisingly began to demand my attention, and by the end, I was completely engaged. Next of Kinrevolves a…
Grief is an all-encompassing entity that consumes your life if left untamed. In Kasimir Burgess’ film Fell, the grief that takes residence in Matt Nable’s Thomas after the accidental death of his daug…
It doesn't matter that this film stole my heart. I didn't need it anyway. Author James Baldwin’s work has rarely been translated to cinema. I Am Not Your Negro took unpublished writings and p…
Warwick Thornton is a director with an agenda – namely, the agenda to bring Indigenous stories and history to life via cinema. From Samson & Delilah to Sweet Country, he strings a bow that links t…
Ok, so, Matthew McConaughey is Baker Dill, a sweat drenched, eternally five-o’clock-shadowed tanned man of the ocean. In what initially appears to be the strangest adaptation of Moby Dick, Baker Dill…
It’s always a risky proposition to stick more than one genre into a blender and expect something good to come out at the end. Two genres? Easy done. A pinnacle of the ‘two-genre’ fare is the horror-co…
Alita: Battle Angel centres around a 300+ year old nameless cyborg (Rosa Salazar) that Dr. Dyson Ido (Christoph Waltz) finds in a scrap heap and repairs. The cyborg, who decides after Dr. Ido’s sugges…
At the core of David Field’s The Combination Redemption is a performance by Taylor Wiese that is conjured from the guts of hell itself. All muscles and beard, Wiese’s Bryan is a gut churning echo of t…
Steve Bisley. A name I would generally associate with only Water Rats. Maybe, just maybe I might think of Mad Max or Red Hill. But generally, if you said to me, “remember Steve Bisley”? I would reply…